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Anna
~I get my best ideas while in transit
~Subject(s) covered here: extreme navel-gazing
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27 February 11
It seems a tragedy that specific works of art should become so closely linked with negative memories.  I can’t love that one band with the same unadulterated enthusiasm, because I went to their concert with that one person once and another time we listened to them in the car on the way home, and that person treated me poorly.  That one movie I could gush about for hours will just always bring up my first year of teaching, which was very stressful, but it also reminds me of being twenty-two, which is depressing, because how was that so long ago?  
Why can’t our brains just let us enjoy this stuff?  And why does it matter.  It shouldn’t have to matter.  
I will always love Mulholland Drive, however, because all the cool people in my life love David Lynch and I don’t know anyone who’s ever been an asshole who has liked this movie.  Hopefully it can continue to be associated with cool people in my life, and I won’t have to abandon this one too.  

It seems a tragedy that specific works of art should become so closely linked with negative memories.  I can’t love that one band with the same unadulterated enthusiasm, because I went to their concert with that one person once and another time we listened to them in the car on the way home, and that person treated me poorly.  That one movie I could gush about for hours will just always bring up my first year of teaching, which was very stressful, but it also reminds me of being twenty-two, which is depressing, because how was that so long ago?  

Why can’t our brains just let us enjoy this stuff?  And why does it matter.  It shouldn’t have to matter.  

I will always love Mulholland Drive, however, because all the cool people in my life love David Lynch and I don’t know anyone who’s ever been an asshole who has liked this movie.  Hopefully it can continue to be associated with cool people in my life, and I won’t have to abandon this one too.  

9 April 10

natashavc:

Here’s some cinematic acrobatics.

People don’t talk the way Tarantino or the Coen Bros write.

So while Lynch’s dialogue is strange and unremarkable isn’t that how most people talk—strange/unremarkably?  

Like, as much as I would love for every one to talk like Beatrix Kiddo they don’t. So then, wouldn’t that mean that aren’t Lynchian scenes are actually more real than surreal? HmmmMmmmm 

I suppose this debate comes down to whether you would prefer your life to have a Lynchian soundtrack, or a Tarantinonian one?

I, for one, prefer Morricone to Badalamenti.  

Reblogged: natashavc

25 March 10

Um, anyone who doesn’t love this movie can go screw themselves.  

You know how everyone has an awkward movie-watching moment?  Well, this one is mine.  I tried to dissuade my mom from picking it up at Blockbuster!  

3 March 09
I always say that Philadelphia was my biggest influence. On one hand it was great because at the art academy there were some serious painters, and it was really thrilling. But Philadelphia itself was such a sick city and there was so much fear and absurdity there that it just seeped into me.
Themed by Hunson. Originally by Josh